Moon Duo explore their Yin and their Yang in the slightly psychedelic video for “Lost in Light.” If life was this preternaturally psychedelic, then things would be absolutely interesting.
Following the recent release of Occult Architecture Vol. 1, Moon Duo – guitarist Ripley Johnson and keyboardist Sanae Yamada — announce the details of Vol. 2, the second part of their psychedelic opus, set for a May 5th release via Sacred Bones. The announcement comes with a new single, “Lost in Light,” and its accompanying video, which gives a glimpse into the shimmering world that represents the lighter half of this Yin and Yang themed creation – the Yang.
Directed by Micah Buzan, the “Lost In Light” video was created as a counter-reaction to his previous animation for Vol. 1’s “Cold Fear.” He explains: “’Lost In Light’ is the Yang to ‘Cold Fear’s Yin. In ‘Cold Fear’ the aliens ruled the planet in their giant skyscrapers and tortured humanoids. ‘Lost In Light’ continues the story of ‘Cold Fear’ a million years into the future, when the aliens have died off after exhausting the planet’s resources, and nature reclaims the land. Huge flowers grow out of the dead humanoids, aliens, and their buildings. Moon Duo emerge from an alien’s head as a flower and rainbow, becoming one with the planet as the sun absorbs everything into oblivion.”
The Occult Architecture of Moon Duo’s fourth album is an intricately woven hymn to the invisible structures found in the cycle of seasons and the journey of day into night, dark into light. Offering a cosmic glimpse into the hidden patterning embedded in everything, Occult Architecture reflects the harmonious duality of these light and dark energies through the Chinese theory of Yin and Yang. Following the Yin (darkness, night, earth) represented on Vol. 1, Vol. 2 presents the Yang. Yang means “the bright side of the hill” and is associated with the sun, light and the spirit of heaven. As such, Vol. 2 explores the light and airy elements of Moon Duo’s complex psyche.
“In production we referred to Vol. 1 as the fuzz dungeon, and Vol. 2 as the crystal palace,” guitarist Ripley Johnson explains. “The darkness of Vol. 1 gave birth to the light of Vol. 2. We had to have both elements in order to complete the cycle. We’re releasing them separately to allow them their own space, and to ensure clarity of vision. To that end we also mixed Vol. 2 separately, in the height of Portland summer, focusing on its sonic qualities of lightness, air, and sun. Listeners can ultimately use the two volumes individually or together, depending on circumstance or the desired effect.”
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